A GERMAN BAROQUE WALNUT AND PEWTER-INLAID BUREAU CABINET
A GERMAN BAROQUE WALNUT AND PEWTER-INLAID BUREAU CABINET

BRAUNSCHWEIG, CIRCA 1725

Details
A GERMAN BAROQUE WALNUT AND PEWTER-INLAID BUREAU CABINET
Braunschweig, Circa 1725
The double-domed cornice above a pair of arched panelled doors, each with a scrolled cartouche centered by a rampant lion beneath a canopy, enclosing four shelves and two drawers, the base with a slant-front enclosing a fitted interior with four drawers above a central frieze drawer over an incurving drawer flanked by four smaller drawers, on six turned spiral column legs joined by a stretcher, the front incurved, with turned ribbed bun feet, the feet and legs replaced, the interior of the upper section previously further fitted, inscribed J-354-X (four times)
80in. (205cm.) high, 42in. (107cm.) wide, 23in. (59cm.) deep
Provenance
Almost certainly commissioned by a noble house associated with the Braunschweig (Brunswick) Court.

Lot Essay

This impressive cabinet, with elaborate Brainesque pewter strapwork inlay retaining much of its original engraving on a richly marbled ground of golden walnut, belongs to a small group of similar collector's cabinets executed by an as yet unidentified Braunschweig workshop between 1725 and 1730. Of these, the documented examples were all commissioned by Duke August Wilhelm of Brunswick-Wolfenbuttel for his Graue Schloss, and these bear not only his arms along with lions emblematic of Braunschweig, but also his motto Parta Tueri. Two cabinets from the group, which display similar distinctive features to the inlay, such as the drapery canopies framing the coats-of-arms, are illustrated in H. Kreisel, Die Kunst des Deutschen Mobels: Spatbarock und Rokoko, Munich, 1970, figs. 89-90 and the group itself is exhaustively discussed in L. Baron Dory-Jobahaza, Die Sammlunsschranke des Braunschweiger Schlosses, Munich, 1964. The arms on the cabinet offered here are of a noble Braunschweig house, identified by the heraldic lions, but remain tantalisingly untraced.

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