A PAIR OF LOUIS XVI GREY-PAINTED AND PARCEL-GILT DEMI-LUNE SIDE TABLES
A PAIR OF LOUIS XVI GREY-PAINTED AND PARCEL-GILT DEMI-LUNE SIDE TABLES

CIRCA 1775

Details
A PAIR OF LOUIS XVI GREY-PAINTED AND PARCEL-GILT DEMI-LUNE SIDE TABLES
Circa 1775
Each with eared, moulded grey-veined black marble top above a panelled frieze carved with laurel and ribbon trails within a stiff-leaf frame and centered by an Apollo mask, the block-rosette headed turned tapering stop-fluted legs with acanthus collars and Ionic capitals, above a concave-fronted fluted X-form stretcher surmounted by a strigally-fluted Neoclassical urn issuing floral garlands, on tapering turned feet, one stamped four times with export stamp 'MADE IN FRANCE', the floral sprays to the stretchers probably partially replaced, redecorated
31in. (80.5cm.) high, 20in. (52.75cm.), 51in. (130cm.) wide (2)
Provenance
Reputedly from the collection of Mrs. Anna Thomson Dodge, Rose Terrace, Grosse Point, Michigan.
Sale room notice
A pair of related consoles by George Jacob after designs by Johann Christian von Mannlich in the Residence Munich (illustrated B. Langer and H. Ottomeyer, Die franzosischen Mobel des 18. Jahrhunderts, 1995, Munich, no. 49.

Lot Essay

Probably first conceived by the architect Jean-Charles Delafosse and subsequently published in a drawing in the Cabinet des Modes of 1786, the concept of fluted legs with Ionic capitals is characteristic of the oeuvre of Jean-Baptiste-Claude Sen (matre in 1769) in the late 1780's. Indeed, this particular motif was almost exclusively employed by the latter on seat-furniture supplied to the Garde-meuble de la Couronne and featured, for instance, on the suite made for Marie-Antoinette's cabinet de toilette, as well as on the fauteuil supplied by Sen and Regnier in 1787 for Louis XVI's bedchamber, both at Saint-Cloud.
A console stamped by Sen of related form was sold from the Alexander Collection at Christie's New York, 30 April 1999, lot 129, whilst the concept of a dished apron centred by a mask features, for instance, on the carved console in the manner of Richard de Lalonde also attributed to Sen and illustrated in 'La Folie d'Artois', Exhibition Catalogue, Paris, June 1988, p.178.

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