A PAIR OF POLYCHROME-DECORATED SATINWOOD, MAHOGANY AND SYCAMORE DEMI-LUNE PIER TABLES
A PAIR OF POLYCHROME-DECORATED SATINWOOD, MAHOGANY AND SYCAMORE DEMI-LUNE PIER TABLES

LATE 19TH EARLY 20TH CENTURY

Details
A PAIR OF POLYCHROME-DECORATED SATINWOOD, MAHOGANY AND SYCAMORE DEMI-LUNE PIER TABLES
Late 19th Early 20th Century
Each banded overall in tulipwood, with projecting top inlaid to the rear edge with a husk-wreathed medallion depicting on one table Venus and Cupid, and on the other Leda and the Swan within a rectangular tablet set within a demi-lune, the main field with laurel-encircled medallions suspended between ribbon-tied floral garlands, the outer edge with continuous arched pattern with ribbon-tied wheat stems, above a plain frieze centred by a projecting tablet with inset oval panel depicting a centaur, on reeded baluster tapering legs and toupie feet, the feet tipped
37 in. (94 cm.) high; 62 in. (157.5 cm.) wide; 25½ in. (65 cm.) deep (2)

Lot Essay

The decoration of the tops relates closely to that found on furniture made by the firm of Wright and Mansfield. The taste for such 'Sheraton' or 'Adams' [sic] furniture developed in the 1860s and 1870s, particularly after the acquisition by the South Kensington Museum (now the Victoria & Albert Museum) of a cabinet exhibited by Wright & Mansfield in the Paris exhibition of 1867. In particular, the handling of the floral swags and figure painting on the Victoria & Albert Museum cabinet relate to that on the present example (C. Wainwright, 'The Dark Ages of art revived', Connoisseur, June 1978, pp. 95-105).

A related pair of pier tables was sold anonymously, Sotheby's London, 4 July 1997, lot 115 (£41,100) and a table with an almost identical decorative configuration of its top is illustrated in P. Macquoid, The Age of Satinwood, London, 1908, figs. 212 & 213.

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