CHARLES BOIT (1662-1727)
CHARLES BOIT (1662-1727)

Sarah, Duchess of Marlborough (1660-1744), facing left in spotted white day-gown with pink cloak draped over her right shoulder, her long fair hair falling in a curl over her left shoulder

Details
CHARLES BOIT (1662-1727)
Sarah, Duchess of Marlborough (1660-1744), facing left in spotted white day-gown with pink cloak draped over her right shoulder, her long fair hair falling in a curl over her left shoulder
purportedly signed on the counter-enamel
enamel
oval, 1¾ in. (45 mm.) high, gold frame, the reverse engraved with monogram SM surmounted by Ducal coronet
Provenance
Thomas Hugh Cobb; (+) Sotheby's, London, 12 October 1944, lot 74 (£62).

Lot Essay

Sarah, daughter and co-heir of Richard Jennings of Sandridge, Hertfordshire, married John Churchill, 1st Duke of Marlborough on 1 October 1678 and had issue.
When Princess, later Queen Anne married in 1683, she appointed Sarah, who had been attendant upon her in Mary of Modena's household a Lady of the Bedchamber and her position as a Royal favourite was established. Sarah was reknown for her wit, beauty and character and her devotion to her husband and it was she who organsied Anne's flight from her father in 1688. On Anne's accession, Sarah was appointed Groom of the Stole, Mistress of the Robes, and Keeper of the Privy Purse but her favour was usurped when the Queen's attentions were transferred to Abigail Masham, whose position at Court had been enabled by Sarah. In 1711, Sarah was dismissed from Court and the Marlboroughs lived in exile for the last two years of Anne's reign, only returning when the Queen was dying. The Duke died in 1722 and it was Sarah who completed the palace of Blenheim at Woodstock.

For a similar enamel of the Duchess of Marlborough, see H. A. Kennedy 'Early English Portrait Miniatures in the Collection of the Duke of Buccleuch', The Studio, 1917 (Special Number), illustrated colour pl. LIX and for a variant of the sitter with blue stole signed by Christian Friedrich Zincke, see exhibition catalogue, Masterpieces in Little. Portrait Miniatures from the Collection of Her Majesty Queen Elizabeth II, Metropolitan Museum, New York et al., London, 1997, no. 46, illustrated in colour p. 139.

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