Details
Auguste Rodin (1840-1917)
Le baiser
signed 'Rodin' (on the top of the base), and inscribed with foundry mark 'F. BARBEDIENNE, Fondeur' (on the left side the of base)
bronze with brown patina
Height: 15½ in. (39.5 cm.)
Conceived circa 1886; this bronze version cast on 7 April 1909
Provenance
Acquired by the father of the previous owner, circa 1970.
Literature
G. Grappe, Catalogue du Musée Rodin, Paris, 1927, no. 91 (large marble version illustrated, p. 47).
A.E. Elsen, Rodin, New York, 1963, p. 63 (large bronze version illustrated).
R. Descharnes and J.-F. Chabrun, Auguste Rodin, Lausanne, 1967, p. 131 (large marble version illustrated in color).
I. Jianou and C. Goldscheider, Rodin, Paris, 1967, p. 100 (large marble version illustrated, pls. 54-55).
J.L. Tancock, The Sculpture of Auguste Rodin, Philadelphia, 1976, p. 77 (large marble version illustrated).
Sale room notice
Please note that the image in the catalogue illustration is incorrect. Please contact the department for the correct image.

Lot Essay

Usually dated 1886, Le baiser was originally planned for La porte de l'Enfer, although the subject was conceived much earlier. A similar group of embracing lovers appears in the clay model of La porte de l'Enfer and was probably created not long after Rodin received the commission in 1880. Rodin subsequently removed Le baiser from the monument as he considered it too large for the design.

There is a clear relationship in both subject and style with L'éternel Printemps (see lot 162), which was probably modeled in 1884. The lovers are from a tale in Dante's Inferno, in which an adulterous passion consumes Francesca da Rimini and her husband's brother Paolo Malatesta. Of all the love stories in Dante, this forbidden liaison, so reminiscent of courtly love, had the greatest resonance for late 19th century readers.

More from Impressionist and Post-Impressionist Art (Day Sale)

View All
View All