A Meissen ormolu-mounted model of a peacock

THE PORCELAIN CIRCA 1730, THE LOUIS XV MOUNTS CIRCA 1740

Details
A Meissen ormolu-mounted model of a peacock
The porcelain circa 1730, the Louis XV mounts circa 1740
Modelled by Georg Fritzsche and inspired by Arita porcelain, to the right with its head turned towards its tail, with white beak, iron-red and black eyes, turquoise crest, blue neck and chest moulded with feathers with black markings, turquoise, yellow and blue back, finely detailed brown, turquoise, blue, iron-red and yellow striped wings and turquoise and brown tail feathers with black eyes, brown legs and feet, standing before a hollow tree-stump on a mound base splashed in purple and turquoise, on a shaped square ormolu base with a band of stylised leaves and applied with two salamanders, a bird, a snake and a flower
7½in. (19cm.) high

Lot Essay

See the example from the Kramarsky Collection sold by Christie's New York on 30 October 1993, lot 25.

Like the models of bantam cocks, also of Japanese inspiration, and dating from the late 1720's or early 1730's, this model is made of a particularly hard, white body and decorated in brilliant enamel colours. The presence of the caduceus mark on most pieces of this type is perhaps indicative of the composition of the porcelain used, or the fact that they were of Japanese inspiration.

Rainer Rückert, op. cit. (1966), no. 1100, illustrates a similar peacock without its mount, but states that there are altogether five in the Munich Residenz, two mounted in a clock and three with identical mounts to the present lot. All five examples have caduceus marks. It is tempting therefore to suppose that, even if the present lot never was at the Munich Residenz, it was conceived at the same time as the pieces there. An unmounted example of this model was in the Mühsam Collection, sale Glückselig, Vienna, April 1925, lot 43.

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