Leonora Carrington (b. 1917)
Leonora Carrington (b. 1917)

Ulu's Pants

Details
Leonora Carrington (b. 1917)
Ulu's Pants
signed 'Leonora Carrington' lower left
oil and tempera on panel
21.3/8 x 36in. (54.5 x 91.5cm.)
Painted in 1952
Provenance
Galería de Arte Mexicano, Mexico City
Maureen Moorehead Carrington, England
Patrick Carrington, England
Private collection, Isle of Man
Literature
W. Chadwick, Leonora Carrington, La Realidad de la imaginación, Ediciones Era, Mexico City, 1994, p.33, n. 30 (illustrated in color)
Exhibited
Paris, Galerie Pierre, Leonora Carrington, 1952
London, Serpentine Gallery, Leonora Carrington: Paintings, drawing and sculptures 1940-1990, Dec. 11-Jan. 26, 1992, p. 75, n. 28 (illustrated in color)

Lot Essay

Exoporia, or ghost moths, make pilgrimages to The Garden of the Genie (Ulu's Pants) where a benevolent Egyptian sphinx guards the entrance to the cave that contains the primeval egg created by Khnum. Khnum was potter god of the island of Elephantine, responsible for fashioning children and their souls on his potter's wheel and placing them inside their mother's wombs. Moreover, the sphinx also impedes the entrance to the labyrinth. The protected egg represents the future. Returning to the cave means returning to a time when we were protected from the demands of being born. As adults, some settle for searching for ancient places of worship. Ultimately, the desire is maternal, therefore nocturnal. Yearning can become a way to commune with the secret of our origins. The labyrinth, however, means awareness because once we enter it, we are moving, seeking, evolving.

We are grateful to Dr. Salomon Grimberg for his assistance in writing the essay for the above lot.

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