Marie Stillman, née Spartali (1844-1927)
Marie Stillman, née Spartali (1844-1927)

Beatrice

Details
Marie Stillman, née Spartali (1844-1927)
Beatrice
signed with monogram and dated '1898' (lower right)
pencil, watercolour and bodycolour
21 x 14½ in. (53.3 x 36.8 cm.)
Provenance
with J.S. Maas & Co. Ltd., London.
Literature
J. Christian,'Marie Spartali: Pre-Raphaelite Beauty', Antique Collector, March 1984, p. 46, fig. 6.
Exhibited
London, Barbican Art Gallery, The Last Romantics, 1989, no. 31.

Lot Essay

The title of this attractive example is traditional, and the picture has not been identified with any of the pictures that Marie Stillman exhibited at the New Gallery, her normal practice at this time. However, the theme of Beatrice would be typical of an artist who consistently drew inspiration from Dante, Boccaccio, and other Italian medieval authors. Her subjects were often taken from Rossetti's Early Italian Poets (1861), and the fact that she lived for many years in Florence and Rome as the wife of the journalist J. W. Stillman naturally had a profound impact on her imagination. They finally returned to England on Stillman's retirement in 1898, the year this picture was painted.

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