A magnificent George II mahogany longcase clock
A magnificent George II mahogany longcase clock

THOMAS OGDEN, HALIFAX; THE CASE ATTRIBUTED TO JAMES PAINE AND THOMAS CHIPPENDALE, CIRCA 1750

Details
A magnificent George II mahogany longcase clock
Thomas Ogden, Halifax; the case attributed to James Paine and Thomas Chippendale, circa 1750
The gilt dial with large silvered seconds ring in the arch with a well sculpted blued steel seconds hand and sunburst-engraved centre, foliate spandrels to either side accompanied by engraved trailing leaves, the main silvered chapter ring engraved on the inner ring with Roman chapters and coded chapters to the outer ring see catalogue notes), exquisitely pierced and sculpted hour and minute hands, the centre engraved with foliage and scalloped scrolls with subsidiary engraved rings for strike/silent (with four positions) and pendulum regulation ring above VI engraved Slower Contrary - and - Faster with ye Sun and further engraved with the signature Thos. Ogden Halifax, the massive movement with long shouldered plates with rounded edges, six long front-pinned vase-shaped pillars, the going train with deadbeat escapement meshing with a crown with long arbor to the centre wheel between the barrels, the strike train with the rack and bell held within the plates, the strike/silent system operated via a cam wheel on the front plate, the pendulum with chamfered iron rod, gilt-brass fronted bob (pinned at the base) and sculpted brass window for the crutch piece, steel suspension spring (now lacking) hanging from a steel rod through the top of the plates with the rise-and-fall regulated by a long brass bar travelling the length of the backplate and terminating with a cam regulated at the signature ring on the dial, the architectural case of solid mahogany with oak backboard, the plinth with a projected front emulated throught the front to the door of the 'pedestal' trunk with fine foliate carving to the frieze beneath the concave throat-moulding beneath the hood with finely carved fluted columns with Composite carved capitals supporting foliate-carved volutes flanking the truss keystone of the tympanum flanked by further foliate engraving, the pediment surmounted by a carved urn finial
9ft. 2in. high
Provenance
By descent through the family since the 18th. century

Lot Essay

The exceptionally fine and richly carved mahogany case is designed in the George II Roman fashion. The style of its temple pediment and truss-buttressed hood and the tapered pedestal recalls, in part, the antique manner of Inigo Jones (d.1652) that was promoted as the 'National' style by a number of the architectural publications sponsored by the Yorkshire-born connoisseur Richard Boyle, 3rd Earl of Burlington, with the assistance of his Yorkshire-born protegée William Kent (d.1748).
In addition, the pedestal is festooned, like the dial, with ribbon-scroll Roman acanthus and this reflects the fashionable interior decoration being promoted at around 1750 by the Yorkshire architect James Paine (d.1789) and the Yorkshire cabinet-maker Thomas Chippendale (d.1779). At this period there was a close working relationship between Paine and Chippendale, and there is a good possibility that this splendid case was executed in the Chippendale family workshops in Otley, Yorkshire. Especially as a later version is featured in his Cabinet-Maker and Gentleman's Director, 1754, which served to advertise the establishment of his new Martin's Lane workshops in London
Thomas Ogden was born in 1693, the second son of Samuel Ogden of Ripponden, Yorkshire. He was brought up a Quaker and married Grace Atkinson in 1724. It is uncertain when exactly he moved to Halifax but he had there a workshop in the High Street and another in Upper Swoft Place near Soyland. He had no children and his wife died in 1766 aged 72 and Ogden died in 1769. A fascinating obituary in the Leeds Mercury in 1769 reads;
His superior abilities in his profession are well known in this and some neighbouring counties. A great many gentlemen's houses being furnished with the productions of his labours. He was one of the people called Quakers. His moderation and charity to other religious sects was truly exemplary. His peculiar diction in the Epistolatory style made his correspondence greatly desireable by anyone who had any connection with him, many of his epistles being preserved in the closets of the learned and curious. He was a steady friend and facetious companion, compassionate and indulgent, a great promoter of industrious merit, but a severe scourge of the slothful and indolent
The coded 'chapters' on the outer rim of the chapter ring are simple to understand but their origin remains a fascinating mystery;
L = 10
R = 2
U = 1

More from IMPORTANT CLOCKS & MARINE CHRONOMETERS

View All
View All