Lot Essay
Connected by Mahoney to Rosa's etching of the Fall of the Giants dated 1663. Often described as a tour de force, the intricate composition was built up from an arrangement of single figure studies such as the present one, re-used by the artist and developed into the large cartoon now at the British Museum. The present figure also appears in reverse and at a different angle in a red chalk drawing in the Gabinetto Nazionale in Rome which the artist discarded at a later stage, I.J. Scott, Salvator Rosa, his life and times, London, 1995, pl. 174.