THE PROPERTY OF A LADY
A LILLE PASTORAL TAPESTRY

EARLY 18TH CENTURY, AFTER DESIGNS BY DAVID TENIERS THE YOUNGER

Details
A LILLE PASTORAL TAPESTRY
Early 18th Century, after designs by David Teniers the younger
Woven in wools and silks, depicting the Dancing Peasants with a group of peasants dancing and a hurdy-gurdy player seated to the left of the group and with a further peasant looking on, to the right with a peasant couple drinking wine and to the far right with a fountain surmounted by a copy of Giambologna's Rape of the Sabines, the background with an extensive French garden landcape with ponds and a palace facade running into the distance framed by trees and bushes, within a later green and cream border, reduced in size, reweaving and patching, possibly Oudenarde
85 in. x 107 in. (216 cm. x 272 cm.)

Lot Essay

Lille produced numerous versions of Teniers' subjects. The first recorded series was woven under Jan de Melter (d. 1698), who established his workshop in 1688, for a local client Michel de Pelletier. With the arrival of Guillaume Werniers (d. 1738), who in 1700 married Melter's daughter, Lille's Teniers tapestry production reached its climax. Although the subjects were also woven under the supervision of his second wife, Katherine Ghuys, the best executed versions, such as this example, belong to the earlier works.

A tapestry attributed both by H. Göbel and H.C. Marillier to Oudenarde, then in the Provinzialmuseum, Hanover (H. Göbel, Tapestries of the Lowlands, New York, 1924, illus. and H.C. Marillier, Handbook of the Teniers Tapestries, London, 1932, p. 75, plate 48b) has identical figure groups. The extensive park landscape in the background of this example does however indicate Lille as the probable place of manufacture. A related tapestry with similar park landscape in the background, flanked by a fountain, was sold anonymously in these Rooms, 24 July 1958, lot 144.

The fountain to the right of the figure group is surmounted by a copy of Giambologna's monumental marble group of the Rape of the Sabines, unveiled in the Loggia de Lanzi on 14 January 1581.

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