A RENAISSANCE-REVIVAL GILDED, CARVED AND INLAID ROSEWOOD BREAKFRONT CABINET
A RENAISSANCE-REVIVAL GILDED, CARVED AND INLAID ROSEWOOD BREAKFRONT CABINET

ATTRIBUTED TO HERTER BROTHERS (W.1863-1912), NEW YORK CITY, CIRCA 1865-1880

Details
A RENAISSANCE-REVIVAL GILDED, CARVED AND INLAID ROSEWOOD BREAKFRONT CABINET
Attributed to Herter Brothers (w.1863-1912), New York City, circa 1865-1880
With a carved and gilded palmette on scrolled and gilded carving above a triangular backboard centering applied carved acanthus leaf decoration flanked by gilt-incised line ornament, carved scrolls and swags terminating in carved hairy paws, all fronted by a centered platform over a similarily decorated molded tripartite base fitted with three drawers each with floral and geometric inlay, the center with hardstone inlaid floral inset, flanked by floral inlay, each with elongated rounded pull, above three paneled doors, the two outer with floral and vase inlay surrounded by gilded geometric inlay, and surrounded by double incised lines over floral inlaid panel on ebonized background all flanked by inlaid panel with line inlay headed by acanthus leaf scroll and stop-fluted gilded panels, the central door with hardstone floral inset surrounded by carved frame with gilded acorns and C-scrolls, surrounded by geometric line and floral inlay, over drawer fronted with floral inlay on ebonized background, all over a conforming base, on carved platform feet
63¾in. high, 64½in. wide, 22in. deep

Lot Essay

Gustave Herter migrated to New York from Germany in 1848, and after working with other cabinetmakers founded his own business in 1858. In 1864, Gustave formed a partnership with his brother Christian, changing the business to Herter Brothers. Together the brothers worked to create interiors for some of New York's most influential families.

Though not signed, like many of their pieces, the cabinet offered here incorporates similar carved, incised, gilded, and applied hardstone decoration to other attributed and marked Herter Brother's objects. A similar cabinet was sold in these rooms 16 January 1999, lot 750. The block front form, triangular backboard terminating in hairy paws and use of insets is evident in both cabinets. Closely related inlay and drawer pulls are found on documented Herter Brother forms (see Herter Brothers: Furniture and Interiors of the Gilded Age, plates 12, 14, 15 and 17.)

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