JOSEPH CORNELL (1903-1972)
ANOTHER PROPERTY
JOSEPH CORNELL (1903-1972)

Bébé Marie

Details
JOSEPH CORNELL (1903-1972)
Bébé Marie
Gelatin silver print collage with hand-applied ink and blue ink wash. 1938.
9½ x 8¼in. (24.2 x 20.9cm.) Framed.
Provenance
From the artist;
to Mary Faulconer;
Anonymous sale, Sotheby's, New York, 17 October 1990, lot 487;
to the present owner.
Literature
Harper's Bazaar, July 1938, p. 23; Hugo Gallery, Portraits of Women: Constructions and Arrangements by Joseph Cornell, p. 4; Da Capo, A Joseph Cornell Album, pp. 76-78; Museum of Modern Art, Joseph Cornell, pl. VIII; Philadelphia Museum of Art, Joseph Cornell/Marcel Duchamp...In Resonance, p. 198, pl. 79, p. 223, pl. 124.
Exhibited
Portraits of Women: Constructions and Arrangements by Joseph Cornell, Romantic Museum at the Hugo Gallery, New York, December 1946;
Joseph Cornell/Marcel Duchamp...In Resonance, Philadelphia Museum of Art, October 1999 - January 2000.

Lot Essay

Bébé Marie is a very rare example of a photographic work by the celebrated American surrealist, Joseph Cornell. The subject of this image was borrowed from Ethel Storms of Nyack, New York, Cornell's second cousin and photographed by James Ogle. Cornell then reworked the doll's eye with collaged elements, paint and ink. The doll, in a Box, is now included in the permanent collection at The Museum of Modern Art, New York.

In the same year as its creation, Bébé Marie was reproduced in Harper's Bazaar preceeding an article on women's fashion. The essay accompanying the image is a subtle tongue and cheek juxtaposition. "A woman's eyes see everything. They make fashion, really. They see and judge and choose and reject, and what was yesterday only a flicker of quick imagery becomes by their intent glance the lively, mobile thing of the moment...They see everything, anything, anywhere in the world, even the new way to serve brown bread and butter." This photograph was given by Cornell to Mary Faulconer, an Art Director at Harper's Bazaar, who worked under Alexi Brodovitch, "as a token of appreciation and friendship". Faulconer helped to support Cornell early in his career, acting as his agent with various publications. A letter of provenance from Mary Faulconer accompanies this lot.

For a surrealist portrait of Joseph Cornell by Lee Miller accompanied by a letter by Julien Levy see the following day sale, 13 October 2000, lot 219.

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