A FRANCO-FLEMISH ALLEGORICAL TAPESTRY
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A FRANCO-FLEMISH ALLEGORICAL TAPESTRY

MID-16TH CENTURY

Details
A FRANCO-FLEMISH ALLEGORICAL TAPESTRY
Mid-16th Century
Woven in wools and silks, depicting the Triumph of Tempreance over Fame with a number of figures gesticulating and named as 'Gua' (Giulia), 'Tiberius', 'Temperatia' (Temperance), 'Salamon', 'Fama' (Fame), 'Camina' (Camille?) and 'Iudich' (Judgment?), to the background with two peasants approaching a table with three seated peasants further observed by the Jester from behind trees, with buildings in a hilly landscape beyond, within a columned border with clusters of fruits and flowers, the blue outer border folded over to the left and right, the main field reduced in width to the right, minor reweaving and patching
128 in. x 139 in. (325 cm. x 353 cm.)
Provenance
Mrs. Runo Arbing, Stockholm.
Offered anonymously, in these Rooms, 2 May 1997, lot 210
Literature
J. Böttiger, Tapisseries à Figures, Stockholm, 1928, pp. 9-10, fig. 8.
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

This scene appears to depict the Triumph of Temperance, one of the four cardinal virtues, over Fame. A human figure representing the abstract concept of virtue or vice was a well known concept in classical antiquity and was used by the early Church to teach moral lessons. The Christian virtues of the middle ages consisted of three 'Theological Virtues', Faith, Hope and Charity, and four 'Cardinal Virtues', Justice, Prudence, Fortitude and Temperance. Plato described the latter four as the virtues needed by the citizens of an ideal city-state.

In the Renaissance period artists made use of Roman heroes and heroines to personify moral qualities. In this example Temperance is pushing away Fame with Solomon and his attributes, while Tiberius and his wife Juliana observe. Temperance holding a clock symbolised a well balanced life but also abstinence from liquor and sexual moderation. The figure of Jester, companion of Cupid and symbolising Love and Folly, is observing the allegorical love-feast taking place behind the main scene, opposing Temperance wielding her power in the foreground.

A tapestry with closely related borders and treatment of space, depicting The Meeting of Pelops and Hippodamia, was sold anonymously in these Rooms, 8 December 1988, lot 229, and a further example depicting Virtues and Vices, including the three Virgins and Salome, was sold as the consecutive lot 230.

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