Lot Essay
"With this piece, perhaps his [Kuramata's] best known and certainly the most copied, Kuramata redefines a conventional chest of drawers. Why, he asks, should we assume that drawers must always be rectangular? Using undulating curves, he takes one of the most solid of furniture types and endows it with life. Breaking out of an unexpected and usually rigid geometry, Furniture in Irregular Form Side 2 seems to dance; with coasters instead of feet, it both suggest and literally incorporates movement and versatility" (A. Isozaki, E. Sottsass, T. Yokoyama, F. Burkhardt and A. Branzi, Shiro Kuramata, Tokyo 1996, quote from exhibition brochure)