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PROPERTY FROM A FRENCH PRIVATE COLLECTION
Gabriel Orozco (b. 1962)
Horses Running Endlessly
Details
Gabriel Orozco (b. 1962)
Horses Running Endlessly
wood
board: ¾ x 341/3 x 34½ in. (2 x 88 x 88 cm.)
64 knights each: 3½ x 1¼ x 1¼ in. (9 x 3 x 3 cm.)
Executed in 1995. This work is number two from an edition of three and is accompanied by a certificate of authenticity.
Horses Running Endlessly
wood
board: ¾ x 341/3 x 34½ in. (2 x 88 x 88 cm.)
64 knights each: 3½ x 1¼ x 1¼ in. (9 x 3 x 3 cm.)
Executed in 1995. This work is number two from an edition of three and is accompanied by a certificate of authenticity.
Provenance
Marian Goodman Gallery, New York
Literature
C. de Zegher, "The Os of Orozco", Parkett No. 48, Zurich 1996, p. 59 (detail illustrated)
J.P. Criqui, "Like a Rolling Stone Gabriel Orozco", Art Forum, XXXIV, No. 8, April 1996, p. 50 and summary (illustrated)
J. Lingwood, Gabriel Orozco Empty Club, London 1996, p. 22 (illustrated)
R. Storr, "Gabriel Orozco The Power to Transform", Art Press, no.225, June 1997, p. 22 (illustrated)
R. Marconi, D. Murphy, E. Sinaiko, and E. Abrams, New Art, New York 1997, p. 98 (illustrated)
J.P. Criqui, "Like a Rolling Stone Gabriel Orozco", Art Forum, XXXIV, No. 8, April 1996, p. 50 and summary (illustrated)
J. Lingwood, Gabriel Orozco Empty Club, London 1996, p. 22 (illustrated)
R. Storr, "Gabriel Orozco The Power to Transform", Art Press, no.225, June 1997, p. 22 (illustrated)
R. Marconi, D. Murphy, E. Sinaiko, and E. Abrams, New Art, New York 1997, p. 98 (illustrated)
Exhibited
Zurich, Kuntshalle; London, Institute of Contemporary Arts; and Berlin, D.A.A.D., Gabriel Orozco, May 1996-March 1997, p. 35 (illustrated; another example exhibited)
Musee d'Art Moderne de la Ville de Paris, Gabriel Orozco Clinton is Innocent, May-September 1998, pp. 160-161 (illustrated)
Tel Aviv Museum of Art, On The Edge: New Art From Private Collections in France, November 1998-January 1999, pp. 86-87 (illustrated; another example exhibited)
Minneapolis, Walker Art Center, Let's Entertain Life's Guilty Pleasures, February-April 2000, pp. 44-45 (illustrated; another example exhibited)
Los Angeles, Museum of Contemporary Art; Mexico City, Museo Internacional Rufino Tamayo; and Museo de Arte Contemporaneo de Monterrey, Gabriel Orozco, June 2000-May 2001, pp. 31, 44 and 151 (illustrated; another example exhibited)
Musee d'Art Moderne de la Ville de Paris, Gabriel Orozco Clinton is Innocent, May-September 1998, pp. 160-161 (illustrated)
Tel Aviv Museum of Art, On The Edge: New Art From Private Collections in France, November 1998-January 1999, pp. 86-87 (illustrated; another example exhibited)
Minneapolis, Walker Art Center, Let's Entertain Life's Guilty Pleasures, February-April 2000, pp. 44-45 (illustrated; another example exhibited)
Los Angeles, Museum of Contemporary Art; Mexico City, Museo Internacional Rufino Tamayo; and Museo de Arte Contemporaneo de Monterrey, Gabriel Orozco, June 2000-May 2001, pp. 31, 44 and 151 (illustrated; another example exhibited)