Lot Essay
In April 1913 Jacob Epstein introduced John to the Italian sculptor and painter, Amedeo Modigliani (1884-1920). Fascinated by primitive art, John was very taken with two stone heads that Modigliani showed him in his Montmartre studio, one of which appears in the present work draped in a widow's veil.
In a letter to D.S. MacColl, dated 27 December 1944, John explained the symbolism in the picture: 'The book represents his [Modigliani's] Bible - Les Chants de Maldoror; the cactus, Les Fleurs du Mal; the guitar, the deep chords he sometimes struck; the fallen tapestry, the ruins of time' (see M. Easton and M. Holyroyd, The Art of Augustus John, London, 1974, pp. 22-3 and 172).
In a letter to D.S. MacColl, dated 27 December 1944, John explained the symbolism in the picture: 'The book represents his [Modigliani's] Bible - Les Chants de Maldoror; the cactus, Les Fleurs du Mal; the guitar, the deep chords he sometimes struck; the fallen tapestry, the ruins of time' (see M. Easton and M. Holyroyd, The Art of Augustus John, London, 1974, pp. 22-3 and 172).