Lot Essay
Previously sold in our New York Rooms, 6 November 1980, lot 326.
Only one other doucai narcissus bowl of this pattern in the Baur Collection has been published, bearing a four-character mark within a double circle, illustrated in the Catalogue, vol. II, A149.
The present jardiniere provided the inspiration for two later examples, both with Xuande four-character marks below the rim but dating from the Wanli period, illustrated by L. Reidemeister, Ming-Porzellane in Schwedischen Sammlungen, 1935, pl. 2B.
The painting style of the doucai palette on this jardiniere is more restrained, in keeping with earlier styles of the Chenghua period; and contrasts sharply to the flamboyant wucai colours developed in the later Jiajing and Wanli periods.
Only one other doucai narcissus bowl of this pattern in the Baur Collection has been published, bearing a four-character mark within a double circle, illustrated in the Catalogue, vol. II, A149.
The present jardiniere provided the inspiration for two later examples, both with Xuande four-character marks below the rim but dating from the Wanli period, illustrated by L. Reidemeister, Ming-Porzellane in Schwedischen Sammlungen, 1935, pl. 2B.
The painting style of the doucai palette on this jardiniere is more restrained, in keeping with earlier styles of the Chenghua period; and contrasts sharply to the flamboyant wucai colours developed in the later Jiajing and Wanli periods.
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