Max Beckmann (1884-1950)

Jahrmarkt, Marées Gesellschaft, R. Piper and Co., Munich, 1922 (H. 191-200)

Details
Max Beckmann (1884-1950)
Jahrmarkt, Marées Gesellschaft, R. Piper and Co., Munich, 1922 (H. 191-200)
drypoints, 1921, on wove paper, one sheet bearing the monogram of the Marées Gesellschaft, the booklet with title, list of plates and justification, and the set of ten drypoints, final states, very fine, black impressions, rich with burr, each plate signed in pencil and with the Marées Gesellschaft blindstamp, copy number 48 from the edition of 125 printed on this paper (there was also an edition of 75 on Japan) the full sheets as published, light-staining, minor foxing mainly on the reverse, mount-staining on the reverse, otherwise generally in very good condition, in original mounts with impressed plate numbers on the front, loose within brown paper-covered board portfolio, with title impressed in black and embossed relief of the Marées Gesellschaft blindstamp, linen-covered spine with title in black, minor defects(portfolio)
overall S. 560 x 415mm.

Lot Essay

Jahrmarkt (Annual Fair or Carnival) was issued in spring 1922 as the thirty-sixth publication of the Marées Gesellschaft by the influential publisher R. Piper & Co. in Munich. The portfolio was commissioned by Reinhard Piper and Julius Meier-Graefe, the founder of the Marées Gesellschaft. The program of this society included the publication of bibliophile books and portfolios with original prints, which included Gesichter of 1919 by Beckmann, and Antike Legenden by Lovis Corinth of the same year.
The ten drypoints contained in Jahrmarkt were all executed in 1921 and rank amongst the most important graphic works by Max Beckmann. The great manual dexterity and tight control demanded from the drypoint provided the artist with a most effective means to communicate his conception of art vis-à-vis its relationship to the world.

Many of the works in the portfolio were executed in Vienna, and are based on his visits to the Prater, the large amusement park. To Beckmann, the annual fair represented a microcosm of contemporary society. The subject matter comprises close-up views of characters of the fair as well as panoramic vistas of the fairground. By linking everyday life with the artificiality of the theatrical world, the artist tried to express life's ephemeral existence and illusions.

More from Prints

View All
View All