Henri Matisse

Henri Matisse, Jazz, Tériade, Paris, 1947 (Duthuit 22)

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Henri Matisse
Henri Matisse, Jazz, Tériade, Paris, 1947 (Duthuit 22)
pochoirs printed in colours, 1947, on Arches, title, text, justification and set of twenty (of which fifteen double pages and five single page), signed in pencil by the artist on the justification, copy number 123 from the edition of 250 (there were also twenty hors commerce copies and the portfolio edition of 100), the full sheets as published, in fresh condition, loose in paper wrappers with designs on front and back, within grey paper boards and slipcase, title label on spine, minor defects, generally in very good condition
overall S. 445 x 342mm.

Lot Essay

Matisse had first used a paper cut-out design in an early issue of Verve. After further development of the technique, the artist created an entire book of these designs which he presented to Tériade under the title Jazz, as the bold cut-out forms embodied a rhythm and dynamism that he associated with the sounds of a Jazz orchestra.

Matisse wrote: 'Ces images aux timbres vifs et violents sont venues de cristallisations de souvenirs du cirque, de contes populaires ou de voyages. J'ai fait des pages d'écritures pour apaiser les réactions simultanées de mes improvations chromatiques et rythmées, pages formant un 'fond sonore' qui les porte, les entoure et protège ainsi leurs particularités' (D. Fourcade, Henri Matisse, écrits et propos sur l'art, Hermann, Paris, 1972).

The artist's own poetic text concerning his art, as well as wider issues of life accompanies the designs in a large round manuscript form. When the book was published in 1947 it met with an unprecedented success: 'De tous les livres de Matisse, Jazz est sans aucun doute le plus important: il provoque une véritable révolution dans l'oeuvre de l'artiste et dans l'histoire de l'art contemporain.' (Hommage à Tériade, p.125).

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