Edvard Munch

Der Kuss (Sch. 102D)

Details
Edvard Munch
Der Kuss (Sch. 102D)
woodcut printed in black and grey, 1902, on tissue thin Japan, a very good impression, signed in pencil, with margins, a very fine, vertical split to the paper in the lower part of the man, from the impression of the block on the paper(?), some discolouration at the sheet edges, lightly japan-backed, otherwise in very good condition
L. 470 x 475mm., S. 528 x 515mm.

Lot Essay

The woodcut variations of The Kiss are Munch's best known works. In 1897-98 Munch cut the first woodblock version of The Kiss. The importance that the artist attached to the subject is apparent in the careful alterations in gestures and colours in his quest for the ultimate form. Over a period of about five years the motif gradually developed into this highly stylized image of two figures merging into one another in an almost faceless and mouthless embrace.

In making this final woodcut Munch used two blocks; a figure block in black over which he printed with a strongly grained background block in grey. By isolating the couple from the surroundings, Munch captured that moment in which two people surrender themselves, and their individuality, totally. With this last version Munch finished his experiments. It is considered to be one of his purest images.

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