PROPERTY FROM THE COLLECTION OF THE LATE LORE AND RUDOLF HEINEMANN
Alessandro Gherardini (1655-1723)

A Monarch presented with architectural Designs: Study for a Ceiling Compartment (recto); The Virgin interceding with Christ and a Saint for Saint Theresa and others (verso)

Details
Alessandro Gherardini (1655-1723)
A Monarch presented with architectural Designs: Study for a Ceiling Compartment (recto); The Virgin interceding with Christ and a Saint for Saint Theresa and others (verso)
numbered '1' to '13' and with inscription 'Solimene' (recto)
black chalk, pen and brown ink, brown wash, in an inscribed arch (verso), in a late 18th Century Spanish carved and gilded frame
233 x 380 mm.
Sale room notice
A drawing by the same hand and for the same project as the verso of the present drawing was presented by Adolphe Stein, Master Drawings, 1988, no. 16, as attributed to Gaspare Diziani.

Lot Essay

Domenico Gabbiani, Pietro Dandini, and Alessandro Gherardini, a pupil of Alessandro Rossi, were the most successful painters in early 18th century Florence. Gherardini executed many fresco decorations in churches, villas, and palaces in Florence and Tuscany. He is probably best known for his frescoes in the Palazzo Corsini in Florence, where he worked together with Gabbiani and Dandini between 1692 and 1700. He also worked for the Medici family and executed decorations at the Palazzi Orlandini and Giugni, Florence.
Drawings by Gherardini are relatively rare. A drawing similar in handling to the recto of the present one, related to the Palazzo Corsini frescoes, is at the Statens Museum for Kunst, Copenhagen, A. Guicciardini Corsi Salviati, Affreschi di Palazzo Corsini a Firenze 1650-1700, Florence, 1989, pl. 42. Another sheet, preparatory for the lost fresco of The Martydom of Saint Cristina in the church of Santa Cristina, Pontremoli, is at the Louvre, F. Viatte and C. Monbeig Goguel, Dessins baroques florentins du musée du Louvre, exhib. cat., Paris, 1981, no. 137, illustrated.

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