Lot Essay
This early work reveals the profound influence that the richly impasted, freely executed and deeply shadowed paintings of Giovanni Battista Piazzetta had on the development of the young Tiepolo. Martini (loc. cit.), who first published this deeply felt picture, dated it to the years 1722 to 1725; Gemin and Pedrocco, in their recent catalogue raisonné (loc. cit.) placed it at the very start of this period -- 1722 -- the moment immediately following the completion of Tiepolo's first masterpiece, the Martyrdom of Saint Bartholomew for the Church of San Stae, Venice (in situ).