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Lot Essay
For other published jars see Nagatake Takeshi, Yabe Yoshiaki and Minamoto Hiromichi, eds., Kakiemon no sekai: genryu kara gendai made (Exhibition of the world of Kakiemon: from its origins to the present), exh. cat. (Tokyo: Asahi Shimbunsha, 1983), pl. 8 (Sakaida Kakiemon Collection); Yabe Yoshiaki, ed., Imari, Nihon no bijutsu 6, no. 157 (Tokyo: Shibundo, 1979), no. 121 (Matsuoka Museum, Tokyo); Hayashiya Seizo, Kakiemon, vol. 9 of Nihon no toji (Japanese Ceramics) (Tokyo: Chuo Koronsha, 1974), pl. 94; ibid, Kakiemon/Nabeshima, vol. 6 of Nihon no toji (Tokyo: Chuo Koronsha, 1972), pl. 94; Soame Jenyns, Japanese Porcelain (London: Faber and Faber, Ltd., 1965), no. 57B (Richard de la Mare Collection); John Ayers et al., Porcelain for Palaces: The Fashion for Japan in Europe 1650--1750, exh. cat. (London: Oriental Ceramic Society and British Museum, 1990), pl. 138 (Porzellansammlung, Dresden) and citing other jars in the collections of Woburn Abbey and the Victoria and Albert Museum; Mark Hinton and Oliver Impey, Flowers of Fire: Kakiemon Porcelain from the English Country House, exh. cat. (London: Christie, Manson & Woods, Ltd., 1989), pl. 35 (Blenheim Palace). Two additional jars are held in the Tokyo National Museum and Hayashibara Museum, Okayama.