Lot Essay
                                This set of dishes may be associated with Kenzan's grandson, Ihachi, who worked in Kenzan style during the period 1720-50.  For a comparable example in the Peabody-Essex Museum, Salem, see Richard Wilson, Ogata Kenzan: Persona and production in Japanese Ceramics (New York and Tokyo: Weatherhill, 1991), no. 339 (p. 245) and a discussion of Ihachi style on pp. 164-65. 
                            
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