Lot Essay
Drawings showing similar compositions, but with out the black chalk under-drawing and pentimentti seen in the present drawing, are in the Correr Museum, Venice, in the Kupferstichkabinett, Berlin, in a private collection in Amsterdam and in the Metropolitan Museum of Art, New York, A. Morassi, op. cit., nos. 625-7, figs. 602, 603.
This drawing is probably the first study of the subject and the prototype on which the other version sare dependant.
The quality of each of these drawings, as well as their size, would suggest that they were intended for sale rather than as studies for pictures. Guardi also painted a number of pictures of the same composition, A. Morassi, Guardi, I Dipinti, Venice, 1984, nos. 911-6. These are dated by Morassi to the late 1760s.
This drawing is probably the first study of the subject and the prototype on which the other version sare dependant.
The quality of each of these drawings, as well as their size, would suggest that they were intended for sale rather than as studies for pictures. Guardi also painted a number of pictures of the same composition, A. Morassi, Guardi, I Dipinti, Venice, 1984, nos. 911-6. These are dated by Morassi to the late 1760s.