A SHINSHINTO KATANA
REGISTERED AS A JUYO TOKEN [IMPORTANT SWORD]
VAT rate of 5% is payable on hammer price plus bu… Read more
A SHINSHINTO KATANA REGISTERED AS A JUYO TOKEN [IMPORTANT SWORD]

SIGNED DOSHU NO JU SA YUKIHIDE AND DATED 1866, LATE EDO PERIOD

Details
A SHINSHINTO KATANA
REGISTERED AS A JUYO TOKEN [IMPORTANT SWORD]
Signed Doshu no ju Sa Yukihide and dated 1866, Late Edo Period
Sugata [configuration]: shinogi-zukuri [longitudinal ridge], o-kissaki [long point], iori-mune [shallow peaked back]

Kitae [forging pattern]: tight ko-itame [fine wood grain] with jinie [hard metal granules over the surface of the blade]

Hamon [tempering pattern]: shallow notare [undulating] with deep nioi [mist-like crystalline areas], nie [hard metal granules] and sunagashi [thick lines of nie]

Boshi [tip]: sugu ni komaru [straight and then gently turned-back temper line] with deep kaeri [turnback]

Nakago [tang]: ubu [unaltered] with osujikai yasurime [diagonal file marks descending sharply to the right], one mekugi-ana [hole for the retaining peg], kurijiri [rounded heel], signed on one side Doshu no ju Sa Yukihide [Sa Yukihide of Tosa province] and dated on the other Keio ninen nigatsu hi [a day in the second month of the second year of Keio (1866)]

Fitted with a two-tier gilt habaki [collar]

Shirasaya [plain wood scabbard]
Overall length of blade: 36 7/8in. (93.6cm.)
Nagasa [length from tip to beginning of tang]: 27 15/16in. (71cm.)
Sori [curvature]: 3/8in. (1cm.)
Motohaba [width at start of tempered edge]: 1 15/16in. (3.3cm.)
Sakihaba [width before tip]: 7/8in. (2.3cm.)
Exhibited
With original certificate of registration as a Juyo token [Important sword] by the Nihon Bijutsu Token Hozon Kyokai on 1 July 1975
Special notice
VAT rate of 5% is payable on hammer price plus buyer's premium.

Lot Essay

In contrast to the many early swordsmiths represented in this catalogue, the career of Sa Yukihide can be traced in some detail. A native of Chikuzen province in Kyushu, like many very late Edo-period craftsmen, he regarded himself as the inheritor of an immensely long and unbroken tradition of style and workshop practice, in his case calling himself 'the thirty-ninth user of the character Sa'. Travelling up to Edo from his birthplace he became a pupil of Shimizu Hisayoshi, himself a disciple of Hosokawa Masayoshi, and in 1846, he moved to the island of Shikoku and became a retained swordsmith of the Yamanouchi family of Tosa province. In 1862 he returned to Edo, taking up residence at the Yamanouchi yashiki [urban mansion] but after the Meiji Restoration of 1868 - an event which would later virtually put an end to the sword industry - he went back to Tosa, where he died in 1885 at the age of seventy-four by the East Asian count, putting his birthdate at around 1812. In his work he attempted to emulate the blades of Go Yoshihiro, Kotetsu and Inoue Shinkai (see lot nos. 11-12).This blade, forged during the Edo phase of Yukihide's career, is a classic example of the suguha hamon.

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