A GEORGE III HAREWOOD, MAHOGANY AND MARQUETRY CENTRE TABLE
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A GEORGE III HAREWOOD, MAHOGANY AND MARQUETRY CENTRE TABLE

Details
A GEORGE III HAREWOOD, MAHOGANY AND MARQUETRY CENTRE TABLE
The rectangular top with ebonised edge and inlaid with a book and a folding sewing-case, above a plain freize with a drawer to one side, on turned legs joined by conforming stretchers with turned feet, with paper label on the underside inscribed in ink 'LCB' and with pencil inscription 'R/M-', one stretcher with restored break
28 in. (71 cm.) high; 24 in. (61 cm) wide; 16¾ in. (42.5 cm.) deep
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

This elegant table displays a French-fashioned trompe l'oeil inlaid vignette of lady's pursuits, that is framed by a golden and Etruscan-black ribbon and comprises a novel and embroiderer's equipment laid down beside a convulvulus sprig. The scissors and embroidery-pouch are ribbon-tied for hanging from an arm. The table's slender columnar frame relates to the fashionable 'spider-leg' Pembroke tables of the 1760s, such as those listed at the Vyne, Hampshire in 1776 (R. Edwards, The Shorter Dictionary of English Furniture, London, 1964, p. 553, fig. 19). Amongst the most celebrated London marqueteurs or inlayers at this period was Christopher Furlogh (d. c. 1787) who established his Tottenham Court Road workshops in the late 1760s together with his half-brother Christian Linning, and in the early 1780s was appointed 'Ebeniste' to George, Prince of Wales, later George IV.
The marquetry on this table closely relates to that on a commode supplied to the 1st Earl of Chichester (d. 1805) for Stanmer Park, Sussex (L. Wood, Catalogue of Commodes, London, 1994, p. 127, figs. 119-120).

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