Studio of Sir Thomas Lawrence, P.R.A. (1769-1830)

Portrait of John Kemble as Hamlet, standing full length in a landscape, wearing black breeches, a fur-lined cloak and holding a skull

Details
Studio of Sir Thomas Lawrence, P.R.A. (1769-1830)
Portrait of John Kemble as Hamlet, standing full length in a landscape, wearing black breeches, a fur-lined cloak and holding a skull
oil on canvas
70¾ x 44 5/8in. (179.7 x 113.3cm.)
Provenance
James Orrock; his sale, Christie's, London, June 6, 1904, lot 270 as Sir Thomas Lawrence (50gns. to Boswell).
Viscount Leverhulme; sale, Anderson Galleries, New York, Feb. 17-19, 1926, lot 156.
with Rosenbach and Co., New York.
Folger Shakespeare Library, Washington, D.C., by whom sold in 1962 to
the American Shakespeare Theatre, Stratford, Conneticut, from whom purchased by the present owner.
Literature
B. Webber, James Orrock, R.I., 1903, II, p. 169 illustrated.
K. Garlick, Sir Thomas Lawrence, 1954, p. 44, under repetitions.
Exhibited
Amherst, Amherst College, Shakespeare, Hamlet and Macbeth, Feb. 19-March 25, 1951.

Lot Essay

Kemble was born into a theatrical family, taking parts at an early age in his Father's company's productions, together with his sister Sarah. Although originally intended for the priesthood, he decided to follow in the family tradition, and entered a company at Wolverhampton, playing in the provinces for some time, before making his debut at Drury Lane on September 30, 1783 as Hamlet. During this time he wrote and published several volumes of verse, and gave lectures. He remained at Drury Lane for nine years, playing all the leading Shakespearean tragic and comic roles frequently with his sister, Mrs Siddons, who usually overshadowed him. In 1788-9 he was actor-manager of Drury Lane, and this was perhaps the pinnacle of his career, arranging, designing and adapting plays, as well as taking the leading roles in many of them, sometimes with his wife, the former Mrs. Brereton. He continued in this vein throughout the 90s, at the Haymarket as well as the rebuilt Drury Lane theater. In 1808, Covent Garden, in which Kemble had a large stake, was burnt to the ground, and as it was inadequately insured, he was financially ruined. His friends rallied round, new funds were found, and he returned in triumph to the new building when it re-opened in September 1809. He made his final appearance as Coriolanus, and a farewell banquet in his honor was given by Lord Holland. After his retirement from the stage, his collection of plays was bought by the Duke of Devonshire, his library was sold and his house was absorbed into the British Museum. He went to live in Lausanne and died there on February 26, 1823.

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