Details
GEORGE OVERBURY 'POP' HART (1868-1933)
The Gallery (Cahill 66)
lithograph, 1924, on Arches, signed in pencil, with full margins, shaved at left, pale traces of printer's ink and slight soiling in the margins, mat staining on the reverse; Happy Days (Self Portrait) (C. 23)-- etching, and drypoint, 1925, on wove paper, signed and dated '1923-4' in pencil, with margins, a skillfully repaired split area at bottom left (touched), a pencil line at the top of the image, minor soiling in the margins and on the reverse; and Matinee (C. 48)--soft-ground etching and aquatint, 1926, on wove paper, watermark FRANCE, signed in pencil, with full margins, two small pieces of masking tape at the tips of the top margin corners (3)
The Gallery (Cahill 66)
lithograph, 1924, on Arches, signed in pencil, with full margins, shaved at left, pale traces of printer's ink and slight soiling in the margins, mat staining on the reverse; Happy Days (Self Portrait) (C. 23)-- etching, and drypoint, 1925, on wove paper, signed and dated '1923-4' in pencil, with margins, a skillfully repaired split area at bottom left (touched), a pencil line at the top of the image, minor soiling in the margins and on the reverse; and Matinee (C. 48)--soft-ground etching and aquatint, 1926, on wove paper, watermark FRANCE, signed in pencil, with full margins, two small pieces of masking tape at the tips of the top margin corners (3)