A PAIR OF GOTO SCHOOL GOLD MENUKI

Details
A PAIR OF GOTO SCHOOL GOLD MENUKI
EDO PERIOD (CIRCA 1625), ATTRIBUTED TO GOTO KENJO

This pair of large gold fittings are formed as shishi with peony plants in high relief. The walls of the back are thin and they are filed, the pins are rectangular and without base support pieces--length 3.9cm., thickness 7mm.

Wood box with inscription signed Kunzan (Homma Junji), dated August, 1981.

Accompanied by a tokubetsu kicho certificate issued by the N.B.T.H.K., no. 245, dated September 14th, 1977. (2)
Literature
One Hundred Masterpieces (1992), no. 77.

Lot Essay

Goto Kenjo (1586-1663), the seventh Shirobei mainline master of the Goto school, was the second son of Goto Tokujo, the fifth mainline master. He was a retainer of Maeda Toshitsune and lived part of each year in Kanazawa, the seat of the Maeda family. He received a stipend of 150 bales of rice (koku) a year for his services. While this gave him a certain level of independence and he did not work in the classic Goto family style, neither was he a follower of the trends and fashions of his day. In the present pair of menuki, the shishi and peony vie for supremacy in the design, a concept normally seen later, in the city-made (machibori) work of the Yokoya school.