A KO-BIZEN TACHI

Details
A KO-BIZEN TACHI
HEIAN PERIOD (CIRCA 1035), SIGNED YOSHIKANE

Configuration (sugata): with longitudinal ridge line (shinogi-zukuri), shallow peaked back (iori-mune) and small point (ko-kissaki); length (nagasa): 2 shaku, 4 sun, 8 bu (73.3cm.); curvature (sori): koshi-zori of 2.0cm.; increase in width of blade (fumbari): 0.95cm.; carving (horimono): bo-hi on both sides extending very deeply into the tang, ending in kaki-nagashi.
Forging pattern (jihada): o-mokume.
Tempering pattern (hamon): chu-suguba comprised of nioi and nie with abundant bright kinsuji; the nie displays an active tempering pattern resembling a split-bamboo screen (sudare-ba), decreasing in intensity towards the middle of the blade and the tip.
Point (boshi): small and rounded (ko-maru).
Tang (nakago). Shape (keitai): slender, tapering and unshortened (ubu); file marks (yasurime): slanted (katte-sagari); end (nakagojiri): squared and rounded (kirijiri and kurijiri); holes (mekugi-ana): three (one double); signature (tachimei): Yoshitane.

Shirasaya with attestation signed Kunzan (Homma Junji).

Accompanied by a juyo token certificate issued by the N.B.T.H.K., dated Showa 50 (1975).
Provenance
Mori family
Literature
Juyo token to zufu, vol. 23.
Fujishiro and Matsuo, Nippon toko jiten, koto-hen, p. 152.
Tsuchiya Oshigata
One Hundred Masterpieces (1992), no. 2.

Lot Essay

There are three or four swordsmiths by this name recorded during the Ko-Bizen period of swordmaking but this example is by far the earliest. There is a general restraint and orderliness that is rare in the works of other Ko-Bizen smiths such as Masatsune and Tomonari, even though the strong o-mokume/itame hada in this example does resemble the forging patterns of Tomonari.

The elegant effect of the tempering pattern with a moderate slant is emphasized by the general feeling of lightness created by the two bo-hi extending deeply into the tang. Overall, the configuration of the blade is an excellent example of the Heian period form.