MICHELE GIAMBONO* (documented 1420-1462)

Details
MICHELE GIAMBONO* (documented 1420-1462)

The Madonna and Child enthroned

tempera on panel laid down on panel--arched top
37 x 23¼in. (94 x 59cm.)
Provenance
with Count René Trotti, Paris, before 1942
Private collection, Milan, 1955-56
Antonio Morassi, Milan
J. Marchig, Switzerland
possibly, Art Market, Switzerland, 1972
Anon. sale, Christie's, London, Dec. 8, 1972, lot 68, where purchased by the museum for #20,000
Literature
G. Firestone, The Sleeping Christ Child in Italian Renaissance Representations of the Madonna, Marsyas, 2, 1942, p. 44, fig. 2
R. Pallucchini, La pittura veneta del Quattrocento, 1955/56, p. 95
B. Berenson, Italian Pictures of the Renaissance: Venetian School, I, 1957, p. 83, pl. 43
K. Christiansen, La pittura a Venezia e in Veneto nel primo Quattrocento in La Pittura in Italia: Il Quattrocento, F. Zeri, ed., 1, 1986, 1987, pp. 122, 130, 135
Exhibited
London, Matthiesen Gallery, Exhibition of Venetian Paintings and Drawings Held in Aid of Lord Baldwin's Fund for Refugees, Feb. 23-April 6, 1939, no. 3

Lot Essay

In written communication to J. Paul Getty in 1972, F. Zeri states that the present lot is "an important example of the Venetian Gothic style, strongly influenced by Gentile Fabriano." Likewise, K. Christiansen (op. cit., p. 130) suggests that the author of the present lot may have been influenced by Gentile da Fabriano's 'Madonna and Child' in the Metropolitan Museum of Art, New York