THE PROPERTY OF A LADY
LOUIS-JEAN-FRANÇOIS LAGRENÉE, L'Aîné* (1725-1805)

Details
LOUIS-JEAN-FRANÇOIS LAGRENÉE, L'Aîné* (1725-1805)

'Charles et Ubalde allant chercher Renaud retenu dans le palais d'Armide'

signed and inscribed 'LAGRENÉE.PINXIT/ROMAE.'--oil on canvas
41½ x 55¾in. (105.4 x 141.5cm.)

In a contemporary carved and gilded neo-classical frame
Provenance
In the artist's studio upon his death, June 19, 1805; his sale, hôtel de Bullion, Paris, Nov. 12, 1814, lot 25, "Ubalde et les Chevaliers danois: Composition de huit figures, terminée par un fond de paysage. Haut 38p., Larg. 51 p. 91.T."
M. Duval; sale, Jan. 10, 1865, lot 35 (3,000 francs)
M. L. Levy, sale, Gallerie George Petit, Paris, June 18, 1917, lot 40 (4,400 francs)
M.E. collection; sale, Paris, June 12, 1926 (18,000 francs) (see Literature; E. Benezit, loc. cit
Galerie Charpentier, sale, Mar. 12, 1937, lot 58
Anon. sale, Palais-Galleria, Jun. 23, 1964, lot 30
Anon. sale, Feb. 7, 1951 (see F. Spar, Annuaire du collectionneur, 1948 and 1955)
Literature
E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs et Graveurs, 1952, p. 359
J. Locquin, Le peinture de'histoire en France. 1747-1785, ed. 1978, fig. 199
M. Sandoz, Louis, Jean, François Lagrenée, dit l'aine (1725-1805), peintre d'histoire, Bulletin de la Societe d'histoire de l'art français, 1961, p. 131
M. Sandoz, Les Lagrenée, I.- Louis (Jean, François,) Lagrenée, 1725-1805, 1983, pp. 280-282 and 286, no. 371; Appendiz II, "Etat des Tableaux faits par Monsieur Lagrenée; Fait de puis mon Retour de Saint-Pétersbourg, p. 370, no. 322, "Un tableau représentant les chavaliers danois...Un tableau représentant l'Amitié qui console la Vieillesse du départ des Plaisirs. Pour M. le comte d'Angiviller, directeur général des bâtiments du Roy..."; and Appendix IV, "Amateurs ou Institutions qui ont Acquis des Oeuvres de Louis Lagrenée", p. 381
Exhibited
Paris, Salon, 1785, no. 3
Engraved
Jacques-Firmin Beauvarlet (LeBlanc, no. 39)

Lot Essay

Executed after the artist's trip to Saint Petersburg

The subject, taken from Tasso La Gerusalemme Liberata, depicts Charles and Ubalde searching for Renaud, who was held prisoner in the palace of Armide. While in pursuit they were met by nymphs, who enticed them to lay down their arms and join in their company. However, the wise woman, Melisse, supplied Ublade with a golden wand, and warned them that the nymphs, through their treacherous caresses, would try to obtain the wand and prevent him from rescuing Renaud, his lover.

The present painting may have been inspired by Armide, an opera by Gluck, which was based on the libretto by Quinault and which was being performed in Paris, beginning in 1777, with great success. The subject was taken from a series of lyric tragedies.