A FRENCH ORMOLU-MOUNTED EBONY AND JAPANESE LACQUERED WRITING TABLE, in the manner of Adam Weisweiler, the rectangular top with a morocco red gilt-tooled leather writing surface, above a frieze with three drawers, on fluted octagonal legs joined by a pierced shaped stretcher, on toupie feet,late 19th early 20th Century

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A FRENCH ORMOLU-MOUNTED EBONY AND JAPANESE LACQUERED WRITING TABLE, in the manner of Adam Weisweiler, the rectangular top with a morocco red gilt-tooled leather writing surface, above a frieze with three drawers, on fluted octagonal legs joined by a pierced shaped stretcher, on toupie feet,late 19th early 20th Century
43¼in. (110cm.) wide; 29½in. (75cm.) high; 25in. (63.5cm.) deep

Lot Essay

The design for this ebony and ormolu-enriched writing table, with its golden-landscape lacquer panels, derives from furniture retailed in the 1780s by the marchand-mercier Dominique Daguerre and manufactured by Adam Weisweiler, who was elected a maître-ébéniste in 1778. A related table from the Barnet Lewis collection and attributed to Weisweiler is discussed P. Lemonnier, Weisweiler, Paris, 1983, no. 129.

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