GUSTAVE BOULANGER* (French, 1824-1888)

Details
GUSTAVE BOULANGER* (French, 1824-1888)

Hercules at the Feet of Omphale

signed and dated GUSTAVE. BOULANGER. 1861. lower right--oil on canvas
92¼ x 67¼in. (234.3 x 170.8cm.)
Provenance
Mr. and Mrs. Robert E. Peters (Gift to St. Paul Art Gallery and School of Art)
The Minnesota Museum of Art, St. Paul; sale, Sotheby Parke Bernet, New York, May 14, 1976, lot 241
Literature
L. Lagrange, "Salon de 1861", Gazette des Beaux-Arts, 10 (June 1861), p. 266
International Art Market, July 7, 1976, p. 162
J. Landrigan, "The Forbes Magazine Collection at the Palais Mendoub", Antiques, June 1982, p. 1386, Pl. IV
A. Blaugrund, Paris 1889: American Artists at the Universal Exposition, (exh. cat.), Philadelphia, 1989, pp. 237-239 (illustrated in color)
Exhibited
Paris, Salon of 1861
St. Paul, St. Paul Art Center, Nov. 19-Dec. 23, 1964
St. Paul, St. Paul Art Center, The Robert Edward Peters Collection, July 14- Oct. 2, 1966
Norfolk, Virginia, The Chrysler Museum of Art, Paris 1889-American Artists at the Universal Exposition, Sept. 29-Dec. 31, 1989. This exhibition later travelled to Philadelphia, Pennsylvania Academy of the Fine Arts, Jan. 26-April 15, 1990; Memphis, Brooks Museum of Art, May 6-July 15, 1990 and New York, The New York Historical Society, Sep. 5-Nov. 15, 1990

Lot Essay

Hercules deliberately murdered his good friend, Iphitus because he had been insulted by Iphitus' father, King Eurytus. In order to be purified for his crime, the Gods declared that Hercules must be sold into slavery, and the price he fetched given to king Eurytus. The beautiful, Lydian queen, Omphale was the buyer and Hercules became her slave. For three years, she ordered him to do the labors customary for a hero of his stature, but she also amused herself, making him dress up as a woman and do woman's work such as weaving and spinning. The account of their relationship in Ovid states that they had a son, Lamus. In the Forbes painting, Boulanger shows the triumphant Omphale tauting her slave - Hercules holds a spool of thread and is dressed in a diaphonous pink garment while Ompale wears his traditional lion's skin.

Boulanger travelled to Algeria for eight months in 1845, and like many of his co-patriots was taken with the exotic surroundings. He recorded these sights in drawings (see lot 213) that would supply him with ideas for his Salon paintings when he returned to Paris. While the story of Hercules and Omphale is mythological (a popular Salon choice), the background elements such as the architecture were most likely inspired by Boulanger's Algerian trip.