Details
Dick Ket (1902-1940)

Stilleven met witte kan en houten paardje - (St.Nicolaas) stilleven

signed and dated lower right D. Ket 1931, and signed again on the stretcher and the frame and inscribed (St.Nicolaas) stilleven,
oil on canvas
81 x 60 cm
Provenance
Kunstzaal Van Lier, Amsterdam
Kunsthandel D'Audretsch, The Hague
Mrs. Taylor, San Anselmo (Calif.) till 1977
Mr. Johan Mekkink, Oosterbeek
on loan to the Gemeente Museum Arnhem from 1977 till 1992
Literature
Cat. schilderijen Gemeente Museum Arnhem, 1967 (supplement)
Exh. Cat. Gemeente Museum Arnhem, Dick Ket, 1962, (herdruk 1968), no. 57, ill.no. 28
Aleid Ottevanger, "Zijn en niet zijn. Over de Symbolistische grondslag in het werk van Dick Ket", Jong Holland, no. 4 December 1986, p. 13-14, ill. no. 22
Kunstschrift "Dick Ket schilderijen in openbare collecties", no. 1, 1991, p.46
Exhibited
Amsterdam, Stedelijk Museum, De Brug, 10 October-1 November 1931, no. 118 (for Dfl. 350,=)
Arnhem, Gemeente museum, Dick Ket, 1962, no. 57
Laren, Singer Memorial Foundation, Dick Ket, 1963, no. 57
Breda, De Beyerd, Dick Ket, 19 April-26 May 1963, no. 57

Lot Essay

This painting is one out of two still lifes which are titled "St. Nicolaas stilleven" (For a study for the other one, see lot no. 190). The title derives from a Droste chocolate poster by the famous French poster designer Cassandre (1901-1968), whose posters Ket used as an important feature in the compositions of his paintings. Ket was a great admirer of Cassandre's work and it was through his posters that he got acquainted with certain style principles of Cubism. The small wooden horse in front of the poster is used several times by the artist. Ket identified himself with this marionette toy, as a "Ket" means horse in West Frisian dialect. Dick Ket loved playing upon words in images and in letters. The book in the centre of the picture about "Vlaamse Primitieven" refers to his great admiration for these painters and their meticulous style of painting.

See colour illustration

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