Details
Jan Toorop (1858-1928)

Brandend België: Burning Belgium

signed and dated lower right Jan Toorop 1917, oil on canvas
80 x 100 cm

(sold in the original wooden frame)
Provenance
C. van Lede-de Kuyper, Rotterdam
Literature
Alb. Plasschaert, Jan Toorop, Amsterdam 1925, no. 1917-8 (as 'Gebed in Strijd')
Miek Jansen, Schaduwen van den Toren, Amsterdam, 1917, ill. facing p. 31
Exhibited
The Hague, Kunstzaal Kleykamp, Jan Toorop, 1918, no. 28
Amsterdam, Arti et Amicitiae, Jan Toorop, 1919, no. 62 (as "Liefde in Tijden van Verwoestingen")
Amsterdam, Gebouw voor Beeldende Kunst, Toorop, 1924, no. 71
The Hague, Pulchri Studio, Eeretentoonstelling Jan Toorop, 1928, no. 152

Lot Essay

This is the final painting from a series of works from 1914 to 1917 about the sufferings of the Belgian population during the First Wold War. The German invasion in Belgium greatly shocked the Dutch. Several artists such as Jan Toorop, Leo Gestel and Jan Sluyters were inspired by the sorrows and despair of the many Belgian refugees. Toorop himself had lived in Belgium for several years.
The entire composition very much resembles the well known drawing La Belgique Sanglante (1914, 63.2 x 75.3 cm) in the Gemeentemuseum, The Hague. The central figure of a praying woman has the same features as Toorop's girl friend, Miek Janssen. The old man fishing in a boat on the lake behind her is surely St. Peter.
In 1905 Toorop converted himself to Catholicism which from then on permuated his life and work. The other titles under which the present picture was known ('Love in Times of Despair' and 'Prayer in Battle') raise this work to a higher, more abstract level of human drama.

To be included in the forthcoming catalogue raisonné on the artist's work being prepared by G.W.C. van Wezel

See colour illustration

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