Details
Giovanni Battista Piazzetta (1682-1754)

Saint Simon

black and white chalk, on grey-blue paper
385 x 308mm.
Provenance
Dr. E. Peart (L. 891); Christie's, 16 April 1822, lot 17 (with lots 16 and 18, 11 gns. to the Hon. Sir Charles Greville).
The Hon. Sir Charles Greville (L. 549).
Earl of Warwick (L. 2600); Christie's, 21 May 1896, lot 268, as of Saint Joseph (¨8. 1s. to Richter).
Dr. J.P. Richter; Amsterdam, 27 May 1913, lot 358, as of Saint Bartholomew.
S. Haag.
Literature
G. Knox, G.B. Piazzetta, Disegni-Incisioni-Libri-Manoscritti, exhib. cat., Fondazione Cini, Venice,1983, under no. 64.
Exhibited
Paris, Institut Néerlandais, Rotterdam and Haarlem, Le dessin italien dans les collections hollandaises, 1962, no. 175, pl. CXXII.
Laren N.H., Singer Museum, Oude Tekeningen, Verzameling P. en N. de Boer, 1966, no. 178.

Lot Essay

The present drawing is related to an engraving by Marco Pitteri (fig. 1), R. Pallucchini, L'Opera completa di Piazzetta, Milan, 1982, no. 179, illustrated.
In 1742 Marco Pitteri received a contract to engrave a series after Piazzetta of fifteen half-length figures of God the Father, Christ, the Virgin and the Twelve Apostles, to which Pitteri added a few additional figures of Saints also after Piazzetta. Known Piazzetta drawings related to the series, which Knox dates to circa 1736-42, are those of Saint Thaddaeus, Saint James the Great and Saint Stephen, G. Knox, Piazzetta, exhib. cat., National Gallery of Art, Washington, 1983, nos. 5-7, illustrated. An oil sketch of Saint Peter connected with the series is in the Thaw Collection, G. Knox, op. cit., no. 53, illustrated.
Simon Zelotes, one of the Apostles, went to Syria and Mesopotamia after Christ's death. The Golden Legend recounts that he was martyred by being sawn in half.

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