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A FINE ORMULU CENTREPIECE DEPICTING KING GEORGE IV AS A ROMAN EMPEROR, BUST LENGTH

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A FINE ORMULU CENTREPIECE DEPICTING KING GEORGE IV AS A ROMAN EMPEROR, BUST LENGTH
BY RUNDELL BRIDGE AND RUNDELL, CIRCA 1820

After the bust of Kinge George IV by Sir Francis Chantry, looking left, in classical robes and armour, the robes pinned at the shoulder with an emerald pin and with emerald, ruby and diamond tassel beneath the right shoulder, wearing around his neck the Order of the Golden Fleece, his breastplate inset with cabouchon rubies and diamonds, the bust surrounded by six alternating lions and unicorns, all resting on a domed octagonal Gothic architectural plinth with eight ogee arched pinnacled canopies and with smaller niches between with Royal crown finials, beneath the canopies is a shield enamelled with the Royal Arms of Great Britain and with jewelled sword behind, the Thistle of Scotland amd The Shamrock of Ireland each within quatrefoil and beneath a Royal crown, statues of Athena and Mars, and within a foliage cartouch the Gold Coronation Medal, by Bernadetto Pistoricci, the stepped base engraved with Royal Monograms and presentation inscription, stamped RUNDELL BRIDGE ET RUNDELL AURIFICES REGIS LONDINI, all in fitted wood case
19½in. (49.5cm.) high

The inscription reads 'TO SIR HENRY HALFORD BART. THIS BUST OF HIS LATE MAJESTY KING GEORGE IV IS PRESENTED BY THEIR ROYAL HIGHNESSES THE DUKES OF CUMBERLAND AND CAMBRIDGE, THE PRINCESSES AUGUSTA, THE LANGRAVINE OF HESSE HOMBER, THE DUCHESS OF GLOUCESTER AND THE PRINCESS SOPHIE AS A TOKEN OF THEIR ESTEEM AND REGARD AND IN TESTIMONY OF THE HIGH SENSE THEY ENTERTAIN OF HIS PROFFESSIONAL ABILITY AND UNWEARIED ATTENTION DURING THE ILLNESS OF THEIR LATE BELOVED SISTER THE PRINCESS AMELIA, OF HER LATE MAJESTY QUEEN CHARLOTTE AND HIS LATE MAJESTY KING GEORGE III, HIS ROYAL HIGHNESS THE LATE DUKE OF YORK AND LASTLY OF HIS LATE MAJESTY KING GEORGE IV, MDCCCXXX'

Lot Essay

The bejewelled Monarch's bust is displayed on a plinth-supported, and richly decorated, hexagonal tabernacle-pedestal with pinnacled arcades. It is designed in the medieval manner and flowered with quatrefoils in lozenged trellis. Lions and unicorns, the supporters of the Royal arms of Great Britain, are perched on its balustraded dome, above King George IV's enamelled shield and sword. The shield and sword are displayed on a bracket and flanked by crown ensigned medallions, flowered with the badges of Scotland and Ireland.

The whole is designed in the 'Old English' or Gothic style that had been promoted by King George IV and praised in Rudolph Ackermann's, Repository of Arts, February, 1827, which stated that "The architecture of the middle ages possess more playfulness in its outline, and richness in its details, than any other style." The style is particularly associated with Augustus Charles Pugin (d.1832) and Augustus Welby Northmore Pugin (d.1852), who were selected to furnish designs for the Royal Apartments at Windsor in 1826, while the latter was employed in 1827 to design plate for Rundell, Bridge and Rundell, the royal goldsmiths, including a bejewlled and enamelled standing cup and plate for St. George's Chapel, Windsor, (see P. Atterbury and C. Wainwright, Pugin, 1994, figs. 328, 50 and 51). In 1836 he was the author of a pattern book of Designs for Gold and Silversmiths.

Sir Henry Halford Bart (1766-1844) was educated at Christ Church, Oxford and Edinburgh and was elected physician to the Middlesex hospital in 1793, the same year as he was appointed physician extraordinary to King George III. After the Kings death he attended George IV, William IV and Queen Victoria and was president of the College of Physicians from 1820 until his death.

Although a personal friend of George III, Halford is described by J.F. Clarke, Autobiographical Recollections as vain, cringing to superiors and haughty to inferiors. Charges of professional misconduct were also made against him by Clarke, who further claimed that when the coffin of Charles I was opened in 1813, Halford took possession of a portion of the fourth cervical vertebra, which had been cut throught by the axe, and used it as a curiosity at his dinner table.

A related centrepiece depicting King George IV as a Roman Emperor, also by the Royal Goldsmiths Rundell Bridge and Rundell, was sold, by the Trustees of the Conyngham Settlement, Christie's, 19 November 1992, lot 114.

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