A GEORGE III SIENA AND STATUARY MARBLE CHIMNEY PIECE, the shelf of breakfront outline with a moulded edge, the frieze inset with siena flutes and centred by a projecting tablet carved with an acanthus-supported vase with foliate scrolls entwined with bacchic vines, and flanked by similar end tablets, each carved with an urn, above Grecian Ionic columns, framed by siena panels behind, the hearth with a deeply moulded and fluted surround, intersected by a rosette to each corner, circa 1780

Details
A GEORGE III SIENA AND STATUARY MARBLE CHIMNEY PIECE, the shelf of breakfront outline with a moulded edge, the frieze inset with siena flutes and centred by a projecting tablet carved with an acanthus-supported vase with foliate scrolls entwined with bacchic vines, and flanked by similar end tablets, each carved with an urn, above Grecian Ionic columns, framed by siena panels behind, the hearth with a deeply moulded and fluted surround, intersected by a rosette to each corner, circa 1780
82in. (228.5cm.) wide; 55½in. (141cm.) high

Lot Essay

This neo-classical statuary marble chimney piece is embellished in the French fashion with golden Siena marble. This is inlaid on its pilasters, framing Grecian Ionic columns, and in the 'antique' flutes of the frieze, where it is arranged in contraposed panels cut from a single block of richly figured marble. The carved frieze tablets, are in the 'Etruscan' style popularised by Robert & James Adam's, Works in Architecture, Vol II, 1779. The central one, depicting an 'arabesque' acanthus-supported vase with foliate scrolls entwined with Bacchic vines, is flanked by similar tablets with urns. The chimney piece typifies the Franco-Grecian style promoted in the 1780's by George, Prince of Wales, later King George IV.

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