with Julius Böhler, Munich, by 1924.
with Tomás Harris, London, 1935.
Literature
M.J. Friedländer, Die Altniederländische Malerei, VI, Leyden, 1924, p. 150, no. 193, pl. XC.
M.J. Friedländer, Early Netherlandish Painting, VI, ed. N. Veronée-Verhaegen, Leyden and Brussels, 1971, Part II, p. 104, no. 193, pl. 200.
Lot Essay
Friedländer dates the present work to the artist's 'middle period' which he characterizes by its 'depth, heaviness' and attention to 'the individual human element'.