Various Properties
A FRENCH OR GERMAN BRONZE FIGURE OF 'FIORENZA', after Giambologna, the naked Venus standing in contrapposto, resting her left foot on an urn at her side, and wringing the water out of her long hair with both hands at her left side, traces of gilding, on integral circular base, 17th Century

Details
A FRENCH OR GERMAN BRONZE FIGURE OF 'FIORENZA', after Giambologna, the naked Venus standing in contrapposto, resting her left foot on an urn at her side, and wringing the water out of her long hair with both hands at her left side, traces of gilding, on integral circular base, 17th Century
26in. (66cm.) high
Literature
COMPARATIVE LITERATURE:
C. Avery, Giambologna: the complete sculpture, Oxford, 1987

Lot Essay

The present bronze figure is a rarely cast model, perhaps from a northern foundry, of the original bronze by Giambologna. This original was created by Giambologna, probably around 1570-71, to finish a fountain begun by Niccolò Tribolo at the Medici Villa of Castello, near Florence. The pose may be based on a wax model known to have been executed by Tribolo, however Tribolo's model was based on an engraving by Marcantonio Raimondi of 1506, which itself seems to have been inspired by an Antique painting described by Pliny the Elder (op. cit., Avery, p. 54). Despite this artistic heritage, the Fiorenza displays all the characteristics of a composition by Giambologna with its elegantly mannered limbs and the radial twist of the figure.

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