A PAIR OF GEORGE II GILTWOOD TORCHERES, each with circular pale-green velvet-lined top edged with egg-and-dart on a rockwork-centred acanthus-encrusted pierced addorses and confronting C-scroll support and flower-draped channelled tripartite shaft, on a gadroon-edged platform and scrolled acanthus-carved legs centred by scallop shells, on acanthus-carved pad feet, one foot tip repaired, re-gilt

Details
A PAIR OF GEORGE II GILTWOOD TORCHERES, each with circular pale-green velvet-lined top edged with egg-and-dart on a rockwork-centred acanthus-encrusted pierced addorses and confronting C-scroll support and flower-draped channelled tripartite shaft, on a gadroon-edged platform and scrolled acanthus-carved legs centred by scallop shells, on acanthus-carved pad feet, one foot tip repaired, re-gilt
21in.(53cm.)diam.; 46¼in.(117.5cm.)high (2)
Exhibited
London, Victoria & Albert Museum, nternational Art Treasures Exhibition, 1962, no.112, pl.80

Lot Essay

Patterns for related acanthus-scrolled tripod 'candle stands', in the French picturesque manner were published by Thomas Chippendale in his, Gentleman and Cabinet-Maker's Directors, 1754-63. These stands, with their flower-festooned stems supporting open 'vase-like' capitals, relate most closely to one engraved in 1760 (pl.CXLV). A pair supplied about 1745 as part of a pier set for Hinton House, Somerset by the carver/furniture designer Matthias Lock (d.1765) are the most celebrated example of such rococo stands (see: Rococo, Art and Design in Hogarth's England, Victoria & Albert Museum, London, exh. cat., 1984, no.L14).

More from English Furniture

View All
View All