A PAIR OF GEORGE III MAHOGANY ARMCHAIRS in the French taste, each with deeply curved back, railed splat and downscrolled arms, the serpentine cane seat with red leather-covered squab cushion above a flowerhead-centred seat-rail, on cabriole legs headed by floral carving, one with repair to toprail and to front seat-rail (2)

Details
A PAIR OF GEORGE III MAHOGANY ARMCHAIRS in the French taste, each with deeply curved back, railed splat and downscrolled arms, the serpentine cane seat with red leather-covered squab cushion above a flowerhead-centred seat-rail, on cabriole legs headed by floral carving, one with repair to toprail and to front seat-rail (2)
Provenance
Probably supplied to Edward Eliot (1727-1804), 1st Baron Eliot.
Thence by descent to the present owner.

Lot Essay

These chairs are likely to have been commissioned by Edward Eliot at about the time he inherited the art collection formed by his grandmother Hester Booth (d.1773; se lot 97 in this sale). Their seat-frame pattern features on a French 'cabriole' chair in Thomas Malton's Compleat Treatise on Perspective, 1775, pl.XXXIII AND A MORE FANCIFUL VERSION OF THE BACK APPEARS IN HIS FOLLOWING PLATE. THEIR QUALITY MERITS AN ATTRIBUTION TO KING GEORGE III'S UPHOLSTERER AND CABINET-MAKER JOHN COBB (D.1778) OF ST. MARTIN'S LANE, WHO SUPPLIED THE ARMCHAIRS OF MALTON'S PLATE XXXIII pattern that are now at Erddig, Wales (see: A. L. Cust, The Chronicles of Erthig, London, 1914, pl.13).

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