A FRENCH BRONZE GROUP OF EUROPA AND THE BULL, the maiden in a classical toga revealing her right breast, sitting on the bull's back and holding one of his horns, the bull with a floral garland around his neck leaping forward (on a brass-inlaid ebony and ebonized wood base, some brass inlay missing and restorations), late 17th or early 18th Century

Details
A FRENCH BRONZE GROUP OF EUROPA AND THE BULL, the maiden in a classical toga revealing her right breast, sitting on the bull's back and holding one of his horns, the bull with a floral garland around his neck leaping forward (on a brass-inlaid ebony and ebonized wood base, some brass inlay missing and restorations), late 17th or early 18th Century
10¾in. (27.3cm.) high
Literature
COMPARATIVE LITERATURE
R. Gillet, 'Biographie et oeuvre de François Lespingolas de Joinville (Haute Marne) après des notes recueillies par Horace Gillet', in Mémoires de la Société Académique d'Agriculture des Sciences, Arts et Belles Lettres du Departément de l'Aube, 1903, LXVII, pp. 179-98.
Berlin, SMPK, Kunstgewerbemuseum, Die Verführung der Europa, 1988, no. 40, fig. 109, pp. 102-3 and 252-3

Lot Essay

The present model has been given various attributions, including Desjardins. However, recent research has revealed that it may be attributed to François Lespingola (1644-1705), a French sculptor who gained a Royal Scholarship to study at the newly founded French Royal Academy in Rome in 1666. Unlike most of his contemporary pensionnaires who had to make copies of the antiquities, Lespignola was also allowed to create his own models (op. cit. Gillet). He returned to Paris in 1676 and was admitted to the Académie Royale de Peinture et de Sculpture and employed in the service of Louis XIV. However, by 1691 Lespingola hardly attended the Academy meetings, and in 1694 was expelled. This became his most productive period: between 1690-1704 he provided and made the models for most of the large and important royal commissions.

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