A Hamano School Fuchi-Kashira And A Kyoto School Fuchi-Kashira

Details
A Hamano School Fuchi-Kashira And A Kyoto School Fuchi-Kashira
The shibuichi ishime-ji base metal decorated with Jurojin in takabori, gold, silver and iroe suemon, signed Otsuryuken godai me [5th generation} Miboku and kao, late Edo period (18th century), with a wood box; and the iron base metal depicting a Chinese figure on a boat to the kashira and a dragon among waves in takabori, gold and silver zogan, signed Sanshu ju Honda Jiemon and kao, early Edo period (17th century) (4)
Literature
Lundgren Collection, nos. 67 and 206 respectively

Lot Essay

The artist of the first piece is Masayoshi, the son of the fourth master Masanobu. After Masayoshi the line sadly ended. However, interestingly there was a tsuba signed "Miboku chakuson [Miboku's direct son] jugosai [at the age of 15 years]. Kikujiro" and it is believed that it may have been made by Masayoshi and signed by his son. Masayoshi worked with flat inlay which was popular in the bakumatsu period and employed ishime-ji on his base metal.

Honda Jiemon was a shirogane shi [preparatory worker]. His wife
was the daughter of Yoshioka Shigeyoshi, the second master of the
Yoshioka line and metalworker to the Tokugawa family with ten
apprentices. Jiemon had no sons and to save the family line adopted
the second son of Goto Sijo, who became the third Yoshioka master.

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