THE PROPERTY OF A LADY OF TITLE
A REGENCY ROSEWOOD, EBONISED AND PARCEL-GILT LIBRARY TABLE, the rectangular top crossbanded in yew-wood and kingwood and with moulded edge, the frieze decorated with scrolling vine and quatrefoil angles, fitted with two mahogany-lined drawers and two simulated drawers, on pierced lyre-shaped end-supports with channelled scrolled legs linked by a dished flat stretcher centred by a trefoil, on paw feet and a concave-sided rectangular platform base, the base with minor restorations

Details
A REGENCY ROSEWOOD, EBONISED AND PARCEL-GILT LIBRARY TABLE, the rectangular top crossbanded in yew-wood and kingwood and with moulded edge, the frieze decorated with scrolling vine and quatrefoil angles, fitted with two mahogany-lined drawers and two simulated drawers, on pierced lyre-shaped end-supports with channelled scrolled legs linked by a dished flat stretcher centred by a trefoil, on paw feet and a concave-sided rectangular platform base, the base with minor restorations
50¾in. (129cm.) wide; 31in. (79cm.) high; 25in. (63.5cm.) deep
Provenance
The late Wilfred Evill, Esq., sold Sotheby's London, 12 July 1963, lot 110

Lot Essay

The table appears to derive from the celebrated 'Tomb of Agrippa' sarcophagus with its bacchic panther feet and plinth, as combined with a scroll-ended Roman 'altar' table in the architect Charles Percier's design for a table illustrated in his Receuil de Décorations Intérieures, 1801, pl. XV.

Thomas Hope (d. 1831) reinterpreted his friend Percier's table design for his house in Duchess Street, as illustrated in his Household Furniture and Interior Decoration, 1807, pl. 12 and also promoted the use of 'French' decoration in the 'antique' manner. Thomas Ackermann illustrated a related bench version in his Repository of the Arts in 1813 (illustrated in C. Musgrave, Regency Furniture 1800-1830, London, 1961, pl. 1). A related mahogany and ebony-inlaid table was sold anonymously in these Rooms, 9 April 1992, lot 111

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