Paul Gauguin (1848-1903)

Stéphane Mallarmé (G. 14; A., M., K. & J. 12)

Details
Paul Gauguin (1848-1903)
Stéphane Mallarmé (G. 14; A., M., K. & J. 12)
etching with drypoint and engraving printed in brown, 1891,
on Arches, second state (of four), a very fine and richly inked impression, a very rare proof before the numbered edition of 79 (60 of which were published in the de luxe edition of C. Morice, Gauguin, by H. Floury, Paris, 1919), with wide margins, some discolouration and pale foxing, laid at the reverse edges to board, otherwise generally in good condition
P. 184 x 144mm., S. 379 x 265mm.

Lot Essay

This impression displays the same ink tone and richness of inking as the proof impression in the Foundation Jacques Doucet in Paris, although the grain of the aquatint is much more subtle in the present impression. The paper also appears to be of similar character. M.K. & J. record ten lifetime proofs in this state on various papers and thirteen postumous proofs on wove or Japan before the numbered edition. A proof dedicated to Albert Aurier was sold at auction at Sotheby's, New York, 7th November 1995, lot 549 for $107,000.

Charles Morice had introduced Mallarmé to Gauguin. The two became freinds owing to the similarity of the theoretical nature of their work. Mallarmé was the leading symbolist poet of the day and hsi writings were characterised by the use of images which by virtue of their associations carried great suggestive power of the reader. This was admired by Gauguin who endeavoured to adopt a similar approach in his paintings.

More from Prints

View All
View All