PRESTWICH MODEL 4, CIRCA 1898
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PRESTWICH MODEL 4, CIRCA 1898

Details
PRESTWICH MODEL 4, CIRCA 1898
Prestwich Manufacturing Co., London; 35mm., hand-cranked, in polished Cuban mahogany with fine dovetail construction with original brass and wood winding handle, footage counter with silvered dial, brass fittings, 500ft. film capacity, two detachable mahogany pulley-operated film magazines, the mechanism with a centrally-mounted 28-tooth single sprocket movement with two double roller sprocket guards, intermittent movement activated by a claw mechanism, direct through the film focusing, interior plate stamped PRESTWICH MANUFACTURING CO TOTTENHAM LONDON PATENT NO. 1578, with an E. Krauss Paris Zeiss Protar f/6.3 54mm. lens no. 33394
Literature
John Barnes (1992), Filming the Boer War p.110-111.
Stephen Herbert, (1996), Who's Who of Victorian Cinema, A Worldwide Survey p.53, 133.
Peter Ariel (1989), Ariel Cinematographic Register, Band 4, no. 1047.
John Barnes (1983), Pioneers of British Film, Vol.3, p.119-121.
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis.

Lot Essay

John Alfred Prestwich (1874-1952) founded the Prestwich Manufacturing Company in 1895. He was an engineer of outstanding ability who constructed some of the finest cinematographic cameras during the last few years of the nineteenth century. He is best remembered today outside of film circles for the JAP motorcycle engine which takes its name from his initials. He collaborated with William Friese Greene, another film pioneer, to make a camera and projecter that reduced flicker.

The Prestwich Model 4 was one of four different models introduced in 1898. It was constructed on an entirely different principle from previous cameras. It was equipped with the newly patented claw movement (patent no. 17,831 of 1898) and had a single centrally-placed sprocket, moving continuosly and acting as a combined feed and take-up sprocket, a function generally performed until then by an upper and lower sprocket. John Barnes describes it as a beautifully made high precision instrument which could also serve as a printer. It had a film capacity of 500ft, the magazines could be detached and attached in daylight, focussing was directly through the film, and was so advanced in design that it was the pride of the company who featured it predominently in most of their advertising.

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